- Psycho
- The Shining
- The Exorcist
- Kuroneko
- The Texas Chain Massacre
- Night of the Living Dead
- The Hills Have Eyes
- The Blair Witch Project
- Near Dark
- The Thing
For almost a century, the most common way to induce nightmares has been through horror films. A way of entertainment, we’ve learned that the one thing people all across the globe adore is walking into a black room and having the scariest monsters possible spring out to awaken their worst fears. Although being afraid can be a personal experience, there is nothing better than experiencing it with a large group of people in a crowded auditorium while waiting for a sermon. These movies have persisted and influenced the discourses about terror and animals of the night, even though trends and monsters have changed. We still want to be terrified. Take a look at the following Top greatest horror movies of all time.
Psycho
No other film is more deserving of the top spot among the best horror films than “Psycho.” Alfred Hitchcock was a scientist who used visuals as the testing ground for his experiments on the feelings and responses of his audience. His attempt to defy expectations and make a movie on a television production budget resulted in “Psycho.”
Janet Leigh’s character Marion Crane steals a bag containing cash and spends the night in the charming-looking Bates Motel, which is operated by timid, uncomfortable Norman (Anthony Perkins). Marion had an odd meal, then meets Mrs. Bates, Norman’s mother, after taking a shower. The movie “Psycho” revolutionized the way people saw horror movies because now there was nowhere to hide, no room for characters, and no room for our standard ideas of good and evil. Thanks to the way Hitchcock pierced even the secure boundaries of a horror film, anything was fair game.
The Shining
While it’s unfortunate that we never saw more films from Stanley Kubrick than we did, his output slowed to a crawl in the years after “The Shining.” He had a difficult time topping “Eyes Wide Shut” or “The Shining,” his ultimate psycho-sexual fantasy. One of the best horror films ever produced.
A writer named Jack Torrance (Jack Nicholson) is searching for inspiration as well as some solitude to work in. He accepts a position as the hotel’s eerie caretaker, and soon a growing unease settles over him. His original creativity vanishes, replaced by violent insanity inherited from the hotel customers whose ghosts still roam the halls. A magnificent and weird exploration of an artist’s obsessions, “The Shining” is.
The Exorcist
The Exorcist placed third on our ranking of the best horror films, which is very fitting. When adapting William Peter Blatty’s best-selling story about a young lady who is possessed, William Friedkin drew on his expertise in directing documentaries, crime dramas, and experimental theatre productions. Friedkin repeatedly uses novel techniques or images to fray the nerves of his audience. His approach is to make the actual therapy for an untreatable condition appear as intrusive and horrible as anything the devil could concoct.
Kuroneko
The history of Japanese horror is extensive, rich in legend, and full of otherworldly depictions of spectral figures and horrifyingly deformed objects. Director KanetoShindô wasn’t primarily interested in creating horror films; instead, he was a patient proponent of peaceful community studies. He was particularly interested in how time changes the essential essence of survival.
The Texas Chain Massacre
The Texas Chain Saw Massacre by Tobe Hooper is still underappreciated as a piece of perfect craftsmanship and abundant beauty. How many people can name the incredible effort it took to have audiences caught off guard by the sweltering ghouls at the center of the story? Everyone is aware of the movie and its reputation as one of the most unsettling experiences in all of film history.
Night of the Living Dead
In 1968, George Romero saw the instability in the world (Vietnam, racial conflict, high-profile assassinations), and he let it permeate his debut movie, “Night of the Living Dead,” a righteously enraged, violent deconstruction of suburbia quiet hostility. He discovered the creature that best symbolized a country in distress by giving an old monster, the zombie, fresh life that hasn’t yet drained from it.
The Hills Have Eyes
Thanks to “Scream” and “Nightmare on Elm Street,” Wes Craven may be recognized today as the creator of postmodernism and gallows humor in American horror, but before all that, he created films that appeared scary and are frequently included among the best horror films.
The Blair Witch Project
The Blair Witch Project caused a permanent alteration in the world. Without “The Blair Witch Project,” which made a huge profit at a very small cost, the found footage sub-genre—now a booming multi-million dollar addition to both mainstream and direct-to-video horror—would never have become a realistic choice for directors.
Near Dark
The standard that all next vampire films must cross is set by Kathryn Bigelow’s sexy, violent, and dusty “Near Dark.” In “Near Dark,” a bloodsucking dust monster that leaves nothing but corpses in its wake, we follow a band of nomadic bloodsuckers scorching across the American southwest in an RV. That is, until Mae, the vampire’s youngest, takes Caleb home with a brand-new bite mark on his neck. He must learn to ride with them if they don’t want to abandon him, leaving him to fend for himself given his new reliance on human blood.
The Thing
With Halloween, John Carpenter gave the slasher movie a cottage industry. However, his version of “The Thing From Another World,” starring Christian Nyby and Howard Hawks, titled “The Thing,” is a terrible little song. A shape-shifting extraterrestrial that had been dormant for a thousand years was faced by a dozen men, headed by the indomitable Kurt Russell.
